Individual identity of person has a variety of dimensions that art by influencing on all areas creates a certain style of living. We have also explained the Lifestyle on the framework of important areas that each of arts focusing on some of them and also have serious effects on other parts. Visual arts are the like this. Especially variation and surprising breadth of the visual arts cause any area to be kept out of the reach of these arts. Even a simple experimental check can also indicate the trace of experimental art on the insights, trends, human behavior and the tools. The impacts of these arts are both directly and make a breakthrough in the realm of this sensual area or indirectly an important flow of traditional and modern paintings exerts an important impact on the audience. Most of them containing a narrative of the world and human, exhibit the painter’s insight. Following the painting, the graphic emerges which have more direct profound insights and interests. Especially after the birth of the media and a very unique and important role that plays the graphic and design has largely developed and with various forms hosts the audience. Calligraphy due to integration with Quran and poem has found a close association with the addressee’s insight for example in the variety of weaving sets like carpets and rugs or in the dishes or living tools , places and different architectures all and all , there is potentiality of this art existence and its influence on the addressee’s insight . But, the main effect of visual art on the individual’s insight is indirect however, the main set of various art associated with art are like this. The visual art related to poem or other especial texts, particularly Quran ,paves the way for better communication. Mainly the art of refinement has com for this, too. All arts without any exception affect on the tendencies of their addressees; the divine or personal insights, are present in all the forms of art and lead the addressees in different directions. These insights are not only influenced by the overall art but also, any parts of it. Therefore, in looking of an audience at a painting both happens; either the generality of a design before the addressee and creates different insight in him or different parts of painting do such a thing. So, these outcomes are except the concepts are transferred. In modern works, that the building of painter is on lack of transferring concepts and clutter of signs, only the first work shut down and the second remains. As the audience looks closely on the canvas, although does not notice anything, but mysterious feeling suffuses all his essence. Many of them are conveyance of fear, some implies joy and some surprise and wonder moreover; the Confusion , dizziness and imbalance have also numerously been found as well as other effects. Even in the great works of these styles , we can say that choosing of such ways have been selected to strengthen the work of artist, that is ,the painter has considered such a level of concentrated sense that despite the pent-conceptual, such a possibility has not been provided for him. That is why; have searched the styles and methods that are empty of concept, yet full of feeling. An important point in drawing that should be paid attention to is “semantic association" that later in the twentieth century, finds a central role in the graphic arts. Sometimes the existence of sign or a recurring model or plan for any reason, evokes a special meaning to a particular group or to all people, ties a bridge between feeling and emotions . In these projects, drawing gets close to the border of music and finds the effect similar to it. That's why the audience can wring from some modern Meaningless meanings a particular concept.
In these works, the concept is strongly tied to association and conveyance of that in the group are the common grounds of the audience and the artist, but this does not mean that visual arts can not bring the rends in the audience that does not have any history and background in the audience. These effects have a widespread range from deep effect on the soul of the audience up to partial cross-sectional effects on his psyche, forms a wide range of trends influenced by art. In Graphics a new dimension added to the painting that its links with the community and as a result, collaborative meaning is makes more that is, the association will include a wider range. Photography has wide ranges apart from painting to photography basis. Although photography also due to having the box, takes its identity from painting, but due to the special attention to the outside world without the presence of mind to choose a subject, loses many art sprites and also finds new sprites, as well. However, paying special attention to subject in photography destroys the role of concepts in order to replace it completely. Perhaps one could say the photography is an art on these concepts abstract from the ocean of concentrated feelings so that in this way to retain its art-oriented aspect of course, most of photos are used to convey private as well as public feelings. These cases were related to works that directly got in touch with addressee. In the case of associative works referred to in the previous paragraph which create border of other arts, the work is multiplied, that is , the visual art has the great ability to create space , conveyance of sense and provision of favorable conditions for engagement of the audience that in the margins of other arts , such as architecture, literature, theater and cinema are developing. The realm of human behavior is heavily influenced by the art. Visual arts, for the sake of stability and a certain inertia have no direct impact on this sector through some resonance intensify some behaviors; but in relation to other arts, especially music, dance and performing arts, certain behavioral patterns have emerges in humans. For example, architecture and interior design dance and music salons bring based on what type to be, are very different and if you not obeyed, certain behaviors do not occur. It is not unreasonable that hall rap performing groups rectangular opposite to the reader and full of red and black colors. Opposite to it, there are dance halls for ballroom that in relation to scene are usually circular in shape and on the basis of choreography, different colors are screened in them. Against them, there are decorative arts and design used in hearing salons of dervishes which commensurate with Oriental mysticism moreover; Opening ceremonies and eulogies are different from both of them. Naturally, mourning set also the visual arts in this House, is fully different with the same items in different groups of mourning. Different types of mourning there, seeks other space as well as other art sectors. Also, in the dramatic art of mourning, the base is completely changed and as a result, altered arts are created. Although the visual arts are not associated with this part of their life, but in the final form and methods of carrying them out, they have a variety of important effects. But the important influence of visual arts is on tools. The identity of tools and spaces are formed by the span of people’s life up to the environment are formed and very hard and difficult taken that is one of the main factors in forming and continuity of this identity, is visual art. Whether in the traditional arts, which had a direct presence in the produce of a lot of tools or in the new arts which more play a marginal role in making instruments, the direct link of identity by means of art is evident. Every tool embodies a part of the human identity and by becoming universal, moves toward collective identity.
That is why the role of architecture and art in giving identity to community is essential and unique ad either can form historical and cultural identity. The vast majority of crafts, from pottery to porcelain and stone, metal as well as tricots, from clothes to carpets, all and all, are identifying the means of life. An identity which from on the one hand reflecting and strengthening cultural identity of people and on the other hand ,it is promoting and promoter of it. The Important function of the visual arts in this section, gives sense to life. Blowing of the human spirit in the objects and the creation of a new nature specific to human life in fact is a creation which tries to improve objects and other elements of nature toward the human life and blows physical units in their body.

The relative Of visual arts and society:

about all of the arts it was regarded that If goes further than the limit in people of society and share in shaping the collective identity, they will make up part of social life; that is, in a higher level, the same tendency, visionary, behavioral and art and tools outcomes are changed into the effects of media, habitual, ritual and equipment. The same case is true about the visual arts that is, you should extend all discussed works so far in relation to the audience to the community so that the social effect of art being shown. In the past, the transfer of a messages and advertisement of a specific identity, in the related forms, of both field of literature and the performing arts has been done so that the both in making identity and orientation to the community at large, have had a unique role. Perhaps the only visual art sync with poetry and theater, directly, had a special role in the transmission of the message, was calligraphy, but today, the visual arts have a special role in promoting social vision and collective knowledge transfer.
This special role in the context of an emerging phenomenon naming media happened. It is true that still the load of media messages is on the literature and drama, but by no means can we consider the media the result of a combination between them. Media is a complex combination of literature, theater, music, visual arts and of course commerce that transfer new and varied identity of messages in a new way. Visual arts form an important part of the "language" of media and as literature and drama have a share in conveying the message totality, if not a greater role, it is a part from cinema which is by its own an independent and new "art".
Cinema is a new emerging combination from literature, theater, music and visual arts and commerce play the first role. But the difference, between "Cinema" and "media" is fundamental and in its identity.
Cinema is a new kind of "art", while the Media is the art of delivering a message while, the art is not so. "Message" is a part of media identity and its purpose is giving message, although that is well convey the most complex messages but, cinema has an identity other than "signaling".
The main identity of cinema is the same identity that all the arts have, and it is the "civilized expression of the human spirit" and "the emergence of the name of the Creator by the man". We she seek the existence of art in the "tearing spirit up and the creation of new organism", while the media should be realized sought in the context of "transfer of messages and concepts,”. This is why a clear and obvious difference between identifying the art of cinema with the media. In cinema, visual arts are part of the "multiplicity" that in the overall spirit of the art of cinema come to "unity" but, in the media, visual arts are those "Art" that serve as "transmission of messages". The difference of Photography in media with artistic photography is made of identity and purpose, and not the artists and photographers, themselves. Certainly, the media have training effect on community media and promote a certain kind of understanding. Therefore, the role of visual art is unique and special. One could even say that due to overshadowing the following literature the existing in these arts, a kind of rapid thinking in modern societies has been shaped.
Social habits forming attitudes of individual is accounted as the most important invisible structure of education in the community. These habits affect even affect worldview and ideology of the people and prepare the ground for major events, as well. On the other hand, moods and emotions of every individual in community are also affected by such habits. The Habits like glue connect all components and make the spirit and a particular mood epidemic. Our habits occupy an important part of our life and construct collective life style and interfere around it. So apart from the issue of knowledge and insight, we should pay a special attention to the effect of art on the social habits. Each of the arts generates certain social habits, but the effectiveness of some arts is more than the other.
In the past, social habits in the first place, followed by literature and, in the second was music, theater and architectural. The effect of the visual arts in social habits was more in the sidelines of these arts unless few specific art. For example, making sculpture for long in idolatrous or iconography, as part of the painting, had a major stake. In Islamic civilization, calligraphy of the Qur'an and the sayings of Imams (AS), have gained such a special place and has become the important vehicle for religious habits. It should be noted that despite the presence of more marginal and relative distant in the context the visual arts, the special entanglement of marginal and text has been caused that one can not easily separate these arts from the rest and limits the borders . For example, the presence of illumination in writing of lyric poets tribunals, have become the bed of transferring ethos and spirit and have doubled the subtle poetry in the community. Hence, we can not completely separate the role of literature, music, theater, dance and architecture in the visual arts, and saw them out of social context. But today the situation has changed a little. With the advent of cinema as an art consisting of all the previous arts, the visual arts have directly influenced their social habits and found a unique with no alternative role. Today, movies and games have activated and opened their tongue in association with the world. Hence, their influence is direct and should be perceived in line with today's occasions. Rituals and social practices are a network of regular behaviors coordinated and designed for a specific purpose and are executed by the people presence. Rituals, both religious and secular, containing messages and particular habits and have great ability in social standardization and identification to the life of society. In the rituals and customs of their individuality aside and to provide general are collected. Rituals and customs have so been associated with all the arts that one fail to imagine it without art. Anyway, the main factor for mobility and diversity in different rites and customs are the same the arts. The main reliance common for rites and ceremonies is concerned with music and rhythmic movements, but one of its feet on the poet and the other one on theater. Architecture and Visual arts have direct influence on them and without them neither is rituals nor any customs. The visual arts have so intermingled with costumes that one can call them as the branches of this strong tree. This paradox adds a glory to the beauty of rituals and doubles their beauty. In addition, the rest of arts resorting to the dissolution of individuality and unity and visual arts, are resorting to the diversity and individuality training. However, the dominance is with music, theater and literature, and hence, the rites have collectivist nature, but the presence of visual arts would fit that sameness with different people and making attractiveness in the same arts. Unlike rituals and customs, living spaces and tools, provide the opportunity for individuality of people and provide the possibility of various people emergence to create different characters. These individualities in various groups in the community and in it, comes to a type of unity that at the same time, retains diversity in itself. The demonstration of this unity with diversity in public spaces and life equipments arises as art. Arts related to the public spaces, public facilities work and activities in any society are demonstrative of collective identity and at the same time, show differences and plurality in society. Collective identity in equipments and places are determined as the main factor giving meaning to life, in relation to the objects and nature. This special feature is intermingled with unity that makes these fields as the arena for visual arts and architecture. Other arts if they are also here, they will be on the sidelines and will come to help the visual arts. The Community spirit by artists and architects are incarnated and found form. That is why by reference to architecture and products related to a community one can obtain a lot of information concerning their lifestyle. That’s why, social relationships, family status, economic relations, production and commercialization of products, interactions with government, religion and their relation with official authority of religion, position and form of morality, even grammar and thousands of other important issues that are direct in people's lives , show themselves in space and tools . Works related to visual arts and architecture, are important clues to discover an important part of the social elements of society. This is a kind of looking at the crafts that can identify the major differences with modern industrial design. Otherwise, if used only to technical subtleties, must be paid attention to the profound difference between these two. The desire of many managers to modernizing the crafts is stemmed from significant differences. Certainly, the recognition of art needs recognition methods that regardless of these facts, a comprehensive understanding of art will not be achieved.
Visual arts and history of community
Any Art by any size and dimension can have huge impacts on lifestyle of futurists. It might not be such a complicated and unknown work and only penetrate in human beings, societies, and even civilizations, spreads and creates a special life style. Amongst the artworks that affect the community some peaks arises that came out the ground fence and inspires the coming communities, thus, they are an expression of civilization. In the midst of the works arises in a society, some found timeless identity and carry that civilization. It is true that the usual arts of Mana, are those worn soaring peaks art, but the abundance of works of art or simple survived over the centuries shows that form and art shape is the main factor of stability and durability. Above them, it is the content of art and the artist's life that determines the amount of influence and effectiveness of each product. This issue is so prevalent that even the great masters of every art search an important part of released arts of civilizations among the common life of ordinary people. Thus, in this paper, we can no longer as easily as two preceding paragraphs, try to divide and analyze the works of art that if was not so, surely will be lost in the narrow lanes of time. In the flow of civilization arts, the literature is linked with some places and theater and music hiding its identity in literature. Of course, this fluidity does not mean lack of distinction, but also erasing borders and interference of figures. The problem is that many people are mistaken so that by analysis of this time go after civilizations and do not understand their real life. The comprehensive and profound study of visual arts is out of the responsibilities of people and needs researching learned groups so that it can have relation with generality of past civilization and understand the secrets of the present works. Some one who wants to talk about arts in one civilization, should be familiar with all arts, not to be unfamiliar with the science of that time and have a hand both at philosophy or theology so that he or she can have a talk for thinking otherwise, of history elephant suffices to foot proboscis and stays in its combined ignorance forever. So, we can not without studying rites remained of previous centuries linking modern people with hundreds of late years resorted toward visual arts. Without relation with literary castles any civilization kept the sprit of civilization in time, has retained the knowledge and understanding from generation to generation, community to community and has left a stable heritage in history and can not perceive the real role of visual art. Sometime a simple plate and remained of long ago , transfer a part of religious culture that the great works of that era do not do so because , they have destroyed for long ago. The eternity of visual arts is not just related to choosing type and method of work with material that haphazardly the share of these are too trivial. Eternity means that it has been hidden at the back of simple forms of these arts and in each generation with people of each civilization, resumes relation as well as communication. Therefore, the more firmly the work is linked, the more its life and its durance