Sunday, June 24, 2018 11:48:48 AM
Traditional Houses of the Old Cities in Damascus

Traditional Houses of the Old Cities in Damascus, Aleppo and some other Syrian cities are preserved and traditionally the living quarters are arranged around one or more courtyards, typically with a fountain in the middle supplied by spring water, and decorated with citrus trees, grape vines, and flowers.

Traditional Houses of the Old Cities in Damascus, Aleppo and some other Syrian cities are preserved and traditionally the living quarters are arranged around one or more courtyards, typically with a fountain in the middle supplied by spring water, and decorated with citrus trees, grape vines, and flowers.

One of the most notable examples of the traditional Damascene homes is the 18th century Azm Palace, residence of As'ad Pasha al-Azm, the Ottoman governor of Damascus, which continued to house the descendants of the al-Azm family for decades. The structure consists of several buildings and three wings: the harem, the selamlek and the khademlek. The harem is the family wing, which contains the private residence of the family and includes the baths, which are a replica of the public baths in the city on a smaller scale. The selamlek is the guest wing, and it comprises the formal halls, reception areas and large courtyards with traditional cascading fountain, while in the northern part of the palace were the servant quarters and the center of housekeeping activities.Also a notable example of traditional Damascene houses is Maktab Anbar near the Umayyad Mosque and a short distance from the Street Called Straight. It was built as a private residence by a local Jewish notable Mr. Anbar in the mid 19th century before being confiscated by the Ottoman government after Anbar's bankruptcy.

Outside of larger city areas such as Damascus, Aleppo or Homs, residential areas are often clustered in smaller villages. The buildings themselves are often quite old (perhaps a few hundred years old), passed down to family members over several generations. Residential construction of rough concrete and blockwork is usually unpainted, and the palette of a Syrian village is therefore simple tones of grays and browns.

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